Publishing Can Sometimes Work Your Last Nerve

Back when I was trying to get my first book published, a novelist friend warned me: “The only thing worse than not being published is being published.”

He wasn’t joking, and it sounded like something wise and mysterious Yoda might say if he taught a writing workshop. I wasn’t sure what it meant. But I soon discovered.

Bringing a book out is filled with hazards and opens you up to a whole new set of disappointments and frustrations.  You might hate the book cover the publisher comes up with.  There’s the possibility of bad reviews.  Really bad reviews.  The kind that lodge like a splinter in your brain.

You could be plagued by miserable turnout at readings and signings.  Someone else could publish a similar book that gets way more press attention than yours.  And of course, there’s the quicksand of weak sales.

But before the book even gets published, you enter the strange world of production.  When the book comes back to you from a copy editor, it’s been transformed into something very different, almost alien.  Your labor of love is now just a product.  As you work through the corrections and suggestions page by page, the book feels very much less than the sum of its parts.

Your baby is reduced to markups relating to spacing and capitalization, and what can seem like an endless series of queries.  Sometimes the copy editor isn’t tuned in to your material.  In one book I mentioned the Temple in Jerusalem.  The query was: “What’s the name of that temple?”

I resisted the temptation to get snarky, but when I had one copy editor completely rewrite the style of my first person memoir, I said No way.

Of course, a good copy editor will catch repetition, a mistaken quote, imprecise or awkward phrasing, and other problems that would embarrass you when the book came out.  But whether you agree or disagree with suggested changes, seeing it marked up with countless notes, you can feel like Gulliver tied down by the Lilliputians.  And you can’t tell anymore if the book is what you wanted it to be or not.

Next you get the page proofs, by which point the book you thought you loved can feel like an albatross and you just want to be rid of it.  Especially if you’ve moved on to writing or researching something else.

Obviously, it’s better to have these problems than not have them, but if you haven’t been published yet, be prepared!

Lev Raphael is the author of Writer’s Block is Bunk and 24 other books in genres from memoir to mystery.  He teaches creative writing online at www.writewithoutborders.com.

Be Prepared: Finishing Your Book Can Bum You Out

I’m currently a few chapters away from a solid draft of my 26th book, and even though I’m excited that it’s been going so well, I’m sad to be seeing the end.

I’ve published books in a wide range of genres–including memoir, historical fiction, erotic vampire tale, and literary novels–but no matter what I’ve written, the experience is always the same: immersive.

I may be worried about something in my own life, about a friend’s health, or about the state of our nation’s politics, but when I’m writing a book, I feel protected and cocooned.

It’s not that I don’t register what’s going on around me; I experience it all inside a kind of bubble.  The book-in-progress is always on my mind, whether I’m at the gym, grocery shopping, taking a shower, or walking the dogs.  I may not be consciously working out the next scene or chapter, but the book is as real and present as soft music coming from another room.

A book of any kind is an adventure, a promise, a series of doors that open and some that close.  It changes as it grows and I change with it.  The end point likely won’t be what I thought it would be, though sometimes the last line is waiting for me like a charming host ready to pour me a great glass of wine.

Ironically, with the end in sight, everything is clearer and I usually write faster, but I feel a countervailing pressure to slow down, to enjoy these last moments with the companion of many months–or even years.

Don’t get me wrong. I love what happens when it’s done: editing and revising, the chance to revisit a manuscript and see it with fresh eyes after a break.  And working with a good editor is one of the joys of publishing. But that’s not the same as creating something new.  When I’m done, the sense of wonder and discovery that Mandy Patimkin sings about in Sunday in the Park with George has vanished.  “Look, I made a hat…” he sings.  “Where there never was a hat.”

When the book is done and revised however many times it needs, the technical, business side is ahead.  It becomes a product in the marketplace. And though I love doing readings from my work and have a great time on book tours thanks to being an extrovert with some acting experience, I’m already thinking about the next book, the next adventure….

Lev Raphael is the author of Writer’s Block is Bunk and 24 other books in genres from memoir to mystery.

The Secret World of Author Blurbs

Before I got my first book published, a novelist I knew quipped, “The only thing worse than not being published is being published.” I had no idea what he meant, but I soon figured it out.

Take blurbs. Begging for blurbs for your forthcoming book is a definite downside of being published. It’s humiliating to have grovel to for them rather than have your publisher take care of it (when they remember!). You can feel like Dorothy in Oz.

Far too many authors think blurbs will magically rocket a book to success. That the right, brilliant blurb by some famous author will impress the publisher, readers, reviewers–and of course our friends, family, and fans.

But do blurbs really make a difference in terms of sales? It’s hard to say. How can you quantify a blurb’s impact? As a reader, there are actually some authors whose names make me not want to read a book because they’re what’s known in publishing as “blurb whores” and love having their names on as many book jackets as possible.

What you can be sure of is that not getting a blurb you hope and pray for is a major buzz kill, and getting it is often like July 4th on steroids. The entire world is ablaze with joy. Someone famous, or at least someone you admire, has given you their blessing. They like your book, they really like it–won’t their fame be contagious?

Is it any wonder blurbs can make us writers frazzled? A writer friend told me a hilarious, sad story about a new author asking a national best-selling author for a blurb. I can’t name the celebrity writer, but she’s huge. The newbie waited and waited. No response. So the anxious author tried again. This time she got a swift and stinging reply:

“My Dear: I understood your letter to be a request, not a demand.”

I sympathized with the celebrity author feeling put upon, but I felt sorry for the writer who was embarrassed, and wished The Famous One had simply said “no” the first time.

Stories like that have made me determined never to ignore a request from an author or publisher asking for a blurb. If I can’t do it for whatever reason, I always let them know ASAP.

Still, you never know how competent a publisher is. Once a publisher of mine in New York never got advance copies of my book out in time for blurbs and had to rely on reviews for my previous book. That wasn’t a disaster, but it was very frustrating. And I recently did a blurb that the author loved, but despite her insistence, it didn’t show up on the book. The publisher wasted my time and the author’s, which is just more proof–if anyone needed it–that publishing is a crazy business.

Lev Raphael is the author of Writer’s Guide is Bunk and 24 other books in genres from mystery to memoir which have been translated into more than a dozen languages.