Don’t Miss this Terrific Mystery from Argentina

I reviewed crime fiction at the Detroit Free Press for about a decade and had a terrific editor who loved the genre. But she quit because she got tired of being constantly pushed to do “features about Stephen King.” This was at a time when book coverage across the country was shrinking.

Her replacement actually told me, “I’m not a book person.” But Editor no. 2 had definite ideas about what I should be concentrating on in my column: best sellers. This was when bricks and mortar book stores were still flourishing and I felt that readers saw best sellers in newspapers ads and on full display in book store windows, in the stores themselves on walls, in end cap displays, on the best seller tables.

There was no reason for me to exclude best sellers, but why not keep my main focus on great books readers might miss: books by new or under-appreciated authors; books from independent presses; books that had been translated into English. That last category was especially important to me because with Americans tend to avoid books in translation.

If I did review a translated book, I only picked that novel if the translation felt smooth and natural (beyond the story being good, of course). Claudia Piñeiro is Argentina’s best-selling crime writer, someone I’ve just discovered, and her book A Crack in the Wall is all of that and more, thanks to its highly unusual structure and focus.

Pablo Simó works in a boutique Buenos Aires architectural firm. He’s a bit of a dreamer and something of a weirdo. He obsessively designs a building he doesn’t seem destined to ever build, and he takes a circuitous subway route home instead of a direct bus for reasons that take some time to become clear. What also evolves is the nature of the crime the book is built around.

In Chapter One we discover that he and his colleagues are somehow involved in a murder and its cover-up, but the how and why emerge slowly, in the context of his messy family life and all the ways in which he’s really living a life of quiet desperation. When excitement and sex enter the story it’s both a surprise,and the psychological depths the author explores drive the story forward in exciting, gripping ways. Diving deep into verities of love and marriage, the author lays bare the city’s convoluted building practices and takes us on a fascinating virtual tour of the city’s architecture, especially some of its famous Art Nouveau structures.

I’ve been reading and reviewing mysteries for years, but don’t remember anything quite like A Crack in the Wall. It’s one of those books you finish with a “Wow!” or maybe even “Damn!”

Lev Raphael is the author of eight mysteries set in Michigan along with a wide range of books in genres from memoir to vampire fiction.

“Flashmob” is a Hot Winter Read

The opening line of Christopher Farnsworth’s clever new international thriller Flashmob sounds like something Huck or Charlie might say on Scandal: “It’s not easy to find a nice, quiet spot to torture someone in L.A.”

The narrator John Smith is actually facing torture when we meet him working “executive protection” for a Russian billionaire’s son. But he’d make a great addition to Olivia Pope’s Scandal team because of his unique talent. Ex-CIA and Special Forces, this former “psychic soldier” can read minds. Messy minds, simple minds, and everything in between.

That means he’s able to anticipate an opponent’s moves; silently interrogate anyone interrogating him; and disarm people just by hitting them with vicious memories or activating parts of their brain to use against them. That’s not all. As Smith puts it: “I’ve got my wired-in proximity alarms, the radar in my head that tells me whenever someone even thinks about doing me harm.” So it’s almost impossible to surprise him or sneak up on him.

Almost. Otherwise there’d be no thrills, right?

But all that knowledge comes with a price. It leaves him with a physical and psychic burden he can only ease by heavy doses of Scotch and Vicodin—and even Valium and OxyContin on top of the mix on a really bad day. Reading and manipulating minds is a curse as much as a gift. Other people’s thoughts, memories, and feelings stick to him like he’s some kind of emotional fly paper and he powerfully describes it at one point as something far more disgusting. Still, while he may be a freak of nature, there’s no way you won’t empathize with him because he’s not a psychopath, he’s one of the good guys.

I’ve been reviewing crime fiction since the 90s in print, on air, and on line and it’s almost a cliché for authors to make their protagonists wounded in some way. Contemporary readers want their sleuths to be touched by darkness. In this case, it’s Smith’s amazing strength that profoundly weakens him at times. That offers a very original twist in a creepy tale about stalking, social media madness, celebrity, the Dark Net, privacy in the digital age, Internet cruelty, cyber crime, and mob psychosis.

The author’s also a screenwriter and journalist, which is a bit surprising, because the book could have used less exposition and tighter flashbacks. In effect, Smith is an omniscient narrator and while it’s intriguing to see him navigate “the competing agendas” inside people’s minds, sometimes his excursions into other characters are a drag on the plot’s momentum. Conversely, his descriptions of places and people lack color.

But in the end, none of that detracts from the deft story-telling and the explosive finale which made me think of master thriller writer Joseph Finder. Flashmob is truly disturbing. It’s one thing to worry about computer programs that can perform highly intrusive surveillance on you, it’s another to think of people who can insidiously do the exact same thing mentally while drinking a cappuccino just a few tables away from you at Starbucks.

Lev Raphael’s Nick Hoffman mysteries explore the terrors of academia. He’s reviewed books for the Washington Post, the Detroit Free Press, Jerusalem Report, Huffington Post and three public radio stations.

Travels Through Europe’s Heart of Darkness

I was born in New York City to immigrant parents, and when I was young, the question “Where do your parents come from?” wasn’t an easy one to answer.

My father had grown up in the easternmost part of Czechoslovakia which had different names over the course of his youth: Subcarpathian Ruthenia, Carpathian Ruthenia, and the Carpatho-Ukraine. But it didn’t belong there anymore. It had been absorbed by the Ukraine and was now part of the USSR.

Some people didn’t even seem to know where Czechoslovakia was, anyway. Now of course, it’s not on the map at all, having split into the Czech Republic and Slovakia.

The city my mother grew up in northeastern Poland was Wilno, but as Vilnius, it was the capital of the Lithuanian Soviet Socialist Republic. In her years there as a child and a young woman before the Holocaust, it had been variously part of Russia, Poland, Lithuania–but for the majority of those interwar years a Polish city. It had also twice been invaded and ruled by the Germans.

Both my parents spoke a bewildering array of languages and lived in borderlands, as Pulitzer-winning author Anne Applebaum calls them in her dazzling travelogue Between East and West.

Armed with fluent Polish and Russian, the author records amazing interviews and fascinating, lost history as she travels from the Baltic to the Black Sea, visiting almost two dozen cities like Odessa and Minsk whose names are well known in the West. But she mainly stops at smaller cities and towns who have been pinballed over the centuries, swept up in endless wars, invasions, and border changes. En route, she also traverses some areas of Eastern Europe likely unknown to most Americas, each with its own dramatic, many-layered history: Ruthenia, Bukovyna, Moldova.

Some cities have been crushed by neglect, Sovietization, bombing—or all three. Others seem like lost jewels. Everywhere she goes, people from peasants to professors open up to her to reveal contradictory identifications. Russian speakers across these lands, for example, might think of themselves as Ruthenian, Polish, or Ukrainian. The locales she travels through have known immense suffering and chaos, and many of her interviewees come across as shipwrecked. Best of all, her grasp of complicated history in every location is faultless. She’s as observant, canny, and in command of le mot juste and just the right quote or anecdote s Rebecca West was in her masterpiece about the Balkans, Black Lamb and Grey Falcon.

Here she is in discussion with a fascinating Ukrainian linguist with a Turkish surname who tells her he feels like an outsider in his own country:

“And that, he said, was the most Ukrainian thing of all: to read the history of your country as if you were reading it through an outsider’s eyes. It is the fate or borderland nations always to know yourself through the stories or other, to realize yourself only with the help of others.”

Between East and West is one of the most compelling and thought-provoking travelogues I’ve read in years—and vitally important cultural/historical background now that places like Crimea and the eastern Ukraine keep blasting into the news.

Lev Raphael is the author of Rosedale in Love, A Novel of the Gilded Age, and 24 other books in genres from memoir to mystery.

Is “What Belongs To You” Truly An Instant Classic?

Back when I reviewed for the Detroit Free Press and other newspapers I used to feel that my colleagues sometimes had a pack mentality. One would start howling praise for a book and soon the cries would echo across the nation. The raves were sometimes so over-the-top they often triggered the contrarian in me: was the book really stupendous? When I’d go on a tour for one of my own books, people at all sorts of venues would take me aside and confess that they didn’t like this latest literary sensation, and seemed embarrassed to admit it.

Last year, the panegyrics about Iowa MFA graduate Garth Greenwell’s What Belongs to You  put me off, especially one by James Wood in The New Yorker, since he’s not a critic whose opinion I rely on. But when a student recently told me he was reading the book, I decided to check it out.

The narrator’s a gay American teacher in Bulgaria who gets involved with a hustler he meets in a public toilet. One British reviewer said the novel made her tremble; another hailed it as “incandescent”; a New York Times reviewer hailed the novel as an “instant classic.” Many reviewers have marveled at the prose, but I found too much of it dull and straining for effect. Using initials for characters’ names also seemed like a gimmick to make the book feel edgy.

But the major problem I had was with the hustler who’s a dull, obnoxious, demanding, dishonest grifter. We’re supposed to believe in the narrator’s intense attraction to Mitko, yet his most distinguishing features are a chipped tooth and a big penis. The sex scenes are very bland, which is problematic since the narrator’s obsession is what drives the plot forward, or at least nudges it. The novel’s framing sections are just way too languid. The middle section works best because the prose is more direct and compelling, less writerly, as we experience the narrator’s terrible nightmare of shame growing up with a brutal father and a treacherous, manipulative best friend.

I didn’t quiver reading that part of the book, and my iPad screen didn’t get brighter on its own, but I felt the author was more deeply engaged. He spoils it, though, when he has the narrator find a horse in a Bulgarian monastery at the end of the section. “It was tied up, I saw, it could have wandered off anytime it chose; but there was nowhere for it to go, of course, and the cart I supposed was heavy and there was something meager to be had there where it stood.”

Did we really need a heavy-handed reminder that the narrator was trapped in Sofia and living on emotional crumbs? This was like one of those melodramatic songs at the end of a movie whose lyrics explain what you just saw–in case you weren’t paying attention for the previous two hours.  I almost stopped reading at that point because it struck me as the sign of a writer who didn’t have faith in his readers’ intelligence.  Or in his own talent.  I kept going though the novel never really recovered from that low point.

Lev Raphael is the author of two dozen books in many genres, from memoir to mystery. His most recent book explores police over-reaction: Assault With a Deadly Lie, which was a Midwest Book Award finalist.