The Age of Light is a Powerful, Hypnotic Debut Novel

In my years reviewing books on line, on air, and in print, one of the greatest joys has always been discovering a book by an author I was unfamiliar with, or better still, a debut novel that knocked me out.  The Age of Light by Whitney Scharer is my fiction find of the Spring, a masterful tale of art, ambition, genius, professional jealousy, love and betrayal set mainly in Paris between the two world wars.

The story is told from the perspective of view of Lee Miller, a beautiful young American fashion model-turned-photographer.  She falls in with older surrealist photographer Man Ray, already famous when she meets him in her early 20s. Though he’s American-born, he seems completely at home in the hard-drinking, hard-partying multi-national Parisian milieu of artists pushing boundaries, a milieu which is gossip-ridden and decadent around the edges.

At first she’s just his studio assistant, then she models for him, they move in together and collaborate, and in the end he unexpectedly takes public credit for remarkable, innovative work that’s actually hers.  It’s a stunning reversal because we’ve come to see the world as she sees it and we believe in the power of her art independent of her mentor’s.  Perhaps the most compelling moments are watching Miller frame her subjects, observing her discover Paris as teeming with subjects to be photographed.

Paris is cinematic and mouth-watering in Scharer’s descriptions like this one in which the city seems “built on the concept of form over function, where rows of jewel-toned petits fours gleam in a patisserie’s window, too flawless to eat.” Scharer is also deft at capturing various kinds of obsession, of moments where art, love, and lust fuse:

Always, always he is photographing her.  His camera is a third person in the bedroom, and she flirts for it and for him as he takes her picture.  They print the images together, standing hip to hip in the developing room, her body blooming on the paper while they watch.  This way they get to have the moments twice, the images calling up the feelings from the day before until sometimes they stop what they are doing and make love again, quickly, her hands gripping the sink, the picture forgotten and gone black in the developing tray.

The elegant prose and striking insights made me read The Age of Light  slowly because I kept stopping to reflect on lines and scenes.  Beginning writers could learn a lot from the author about creating setting, mood, character–and how to write a sex scene that doesn’t reduce its participants to an assemblage of body parts.

Scharer’s dialogue rings true and so do her period details and details about photography which I never saw in this light even though I once dated a photographer.  Entering a darkroom with Lee is as much an adventure as when she steps into a secret room filled with opium smokers.  Maybe more so.

The Age of Light is a novel to relish and return to, a book that could easily make you see your own world with new eyes.  It’s perfect for armchair travelers and anyone looking for a book that can transport you to another time and place, immerse you in a whole new reality.

Lev Raphael is the author of 26 books including the just-released State University of Murder.  He teaches creative writing workshops at writewithoutborders.com.

 

“Phantom Thread” is a Hot Mess

I’ve been a fan of Daniel Day-Lewis since The Last of the Mohicans, which I’ve seen many times. As the critics say, nobody inhabits a role the way he does. So after all the raves for Phantom Thread, and the Oscar nominations, I expected to swoon over what’s apparently going to be his last film.

He plays Reynolds Woodcock, a successful haute couture designer in London in the 1950s who’s meticulous, eccentric, obsessive, and an uber-curmudgeon. Someone “noisily” buttering her toast at breakfast can apparently spoil the equilibrium of his entire day. Woodcock’s no-nonsense, stylish, highly efficient  sister is his business partner and their bond is intense.  Then a disruptive force comes into their lives when Woodcock invites Alma, a waitress he meets outside of London, to move in, work at his atelier, and be a model.

And that’s when the movie slowly goes off the rails, losing all psychological believability. We don’t know anything significant about Alma’s background–and barely anything about Woodcock’s–so the attraction between them seems shadowy and even creepy.

It becomes more than that when Woodcock impulsively decides to marry Alma and almost immediately finds her a malign influence on his couture business: “There’s the smell of death in this house” he laments to his sister, and he can’t concentrate on his work. As if we’ve switched to some kind of dark fable, Alma poisons him to get him under her control. Twice. And he seems to enjoy it.  I’m not making any of that up.

None of this is convincing or coherent in a movie that relishes surfaces: beautiful interiors, gleaming dress fabrics, pearls shining on aristocratic necks.  What’s sadly missing in this film that drags on past two hours is background and depth.  Who are these people, really, and what makes them behave the way they do?

On a more basic level, but just as important, what’s Woodcock’s status in the world of fashion?  Why are his clothes suddenly not fashionable enough for some clients?  The gorgeous surfaces and the inside view of the intense labor involved by a whole team of people to create couture may be dazzling–but they cover up way too many gaps and ambiguities.

Lev Raphael is the prize-winning author of twenty-five books in genres from memoir to mystery.  He teaches creative writing at Michigan State University and on line at writewithoutborders.com.

Instagram Authors?

The New York Times recently reported that fashion designers like Jason Wu and Diane von Furstenberg are turning to Instagram for inspiration and to take the pulse of their fans.  They monitor where and how fans are wearing their designs and also poll fans for opinions and suggestions for their work.

The iPhone app is apparently “generating 25 times the level of engagement of other social media platforms.”  So when will publishers start pushing their authors to switch to this hot new social medium that’s outpacing Facebook and Twitter?

Think of the possibilities!  Authors could find out where and when fans are reading their books.  They could post and enhance photos of themselves on tour and at work. They could post images of how they imagine their characters, seek advice about book covers, and generally engage with their fans 25 times more than they do already on any other social medium and have their photos instantly posted to Facebook, Twitter, Flickr, Posterous and Tumblr.

Every aspect of their lives, from morning to night, could be photographed and commented on.  Best of all, the Instagram community doesn’t seem to generate the kind of snark other platforms do.

And if they plunged into the new, new thing, they could also catch up with the shifting social media landscape, discovering why Instagram is so hot, why Facebook acquired it for one billion dollars, and why it has this stellar track record, as Kelly Lux reports on her blog:

  • Launched on October 6, 2010
  • #1 in the App Store within 24 hours of launch
  • iPhone App of the Week
  • Holds the record as quickest to reach 1 million downloads, occurring on December 21, 2010
  • Launched 7 new languages
  • An Instagram photo made the cover of the Wall Street Journal
  • Surpassed 25 million users in early March, 2012

The possibilities for authors and their fans are endless, and publishers will no doubt be relentless in chasing after the next Holy Grail of PR.

If they’re not doing so already.