London is for Art Lovers

I grew up in a city of great museums, New York, and felt intimately close to many of them from a very early age because of countless school visits and trips with my parents. But it was only on a recent visit to London that I realized something extraordinary: art can heal me.

I was in London teaching in a summer abroad program for Michigan State University and had marvelous, hardworking, creative, and witty students. The two classes were small which made for an easy bond to develop among us, and I was thrilled to have my dream of teaching abroad finally come true.

Unfortunately, the circumstances weren’t ideal. I’d injured my knee right before the trip. I had a surgeon’s OK to travel, but I wore an uncomfortable knee brace, was in pain despite medication, and wasn’t getting much sleep for the first few weeks of the trip. London was suffering under a heat wave, and my flat had no air conditioning. Not only that, it was a duplex, so I had to hobble up and down a narrow, wearying staircase more times than I could count every day.

And then one Sunday morning, when I was starting to feel better, I decided to venture to the Tate Britain Museum, which was very close to my flat in Pimlico. I had to take a cab there because the half mile walk would have hurt too much. I arrived at 10 a.m. when the museum opened, finding just a handful of people waiting to get in; they quickly scattered on their own missions. I had come to see the famed pre-Raphaelite collection — and was disappointed to discover those paintings were away on loan.

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I wandered somewhat disconsolately, and then suddenly found myself in heaven: a roomful of Henry Moore sculptures. I knew Moore’s work from books and having seen some statues in New York, but here was a whole family of them, so to speak — and they were all mine. I wandered from one to the other, solitary and awed, for a good ten minutes, in utter silence. Then I sat down near my favorite one and just admired its enigmatic beauty.

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I don’t know how long I sat there. In all my many years of museum-going in New York, Chicago, D.C., Paris, Berlin, Munich, Bruges, Florence and other cities, I couldn’t recall ever having quite so much time to simply revel in a great work of art alone. The tranquility of this cool, aquamarine figure radiated throughout the room and worked on me like a series of Chopin Nocturnes.

Contented and happy, I eventually moved off as other people entered, and in the next hall, was dumbstruck. All the way at the end in another gallery was a remarkable sculpture unlike anything I had ever seen. The closer I came to it, the more amazed I was. I’d heard of Jacob Epstein before, but had never heard of his remarkable, stunning 1941 sculpture Jacob and the Angel.

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The massive work is carved from one giant piece of alabaster and when the sun shines down through skylights above, parts of the statue are translucent; other parts glow and the whole thing seems to be shimmering with frozen movement. The Genesis story in which Jacob wrestles with an angel all night and emerges with a new name, Israel, and a limp, has always been one of my favorites because it’s so mysterious and otherworldly.

The statue did in fact radiate mystery and unearthly power both in form and texture. Despite its size, it felt strangely weightless, even timeless, and I felt transported, though I’m not sure where. I circled the statue, once again alone, feeling as if it were my own or a gift or a message. I caught a glimpse of Jacob’s face. I read surrender there and peace. The struggle was over and the angel was holding him up.

It seemed ironic to be limping away myself when I couldn’t take in any more of the statue’s mysteries. But I felt infinitely lighter in spirit, and that day marked a real turning point for me in London, because I slept better, felt more relaxed, and even was able to tolerate my pain somewhat better.

For days afterwards, I carried around inside the feelings of transcendence, peace, and awe I felt at Tate Britain, and writing about it now, I can recall being lifted out of my own existence completely. I may have arrived there feeling battered and even broken, but I felt much closer to being whole when I left.

Lev Raphael’s teaches creative writing online at writewithoutborders and is the author of twenty-five books in genres from memoir to mystery.  You can check out his on Amazon here. Follow him on Twitter at

Going Back to Ghent: Notes From A Lover’s Diary

I’m heading back to Ghent this Fall but I feel as if I haven’t really been away.  Over a year and a half ago, I fell in love with the city I’d known almost nothing about, and fell hard. Here’s why.

First there are the people. As my favorite author Henry James would have put it, “the note” of the city is friendliness. I got that vibe everywhere, whether in sandwich or coffee shops, stores, restaurants, and even from strangers who helped me when I got slightly lost. Some of them walked a short distance with me to make sure I was headed in the right direction.

I seek comfort and quiet when I travel and the Carlton Hotel Gent was the epitome of those things. Family owned, boutique-style, it was smoothly run, ultra-quiet, close to the train station, served delicious breakfasts, and the owners were perfect guides to the city and its restaurants. The hip Café Parti was nearby and if I could’ve eaten every lunch and dinner there, I would have. It served Belgian specialties that I’d sampled before in Brussels and Bruges, but they were exceptional, especially the stoofvlees, a beef stew made with dark beer, and the onglet, hanger steak better than any I’d had in the U.S.

I liked the modern lines of the hotel and the Café Parti because Ghent has so much history in its architecture, from the Renaissance buildings along the canals, to the Romanesque St. Bavo Cathedral and the medieval Gravensteen fortress at the city center. Dipping in and out of these different periods was intensely enjoyable. And so was sampling my favorite Belgian chocolate, Neuhaus, and a Ghent specialty, neuzekes, candies filled with raspberry syrup that look like little pointed hats and are partly made with gum Arabic. They may sound odd but they’re sensational.

Bikes are king in Ghent and it apparently has the largest bike-friendly zone in Europe. Ghent was the first city to designate a street as a “cycle street”—meaning that cars have to stay behind bikes. They’re everywhere, weaving through traffic and around the trams which snake along the sinuous streets which seem unlike any other street plan I’m familiar with from my previous years of visiting Western Europe. There was something very calming about riding a tram or just watching one.

For a city that’s the third largest port in Belgium and has 250,000 residents, Ghent never felt overwhelming. It welcomed and fascinated me, and unlike the more famous Bruges half an hour away which has twice as many tourists, it didn’t feel like a museum despite the amazing architecture from so many different periods.  No wonder it’s called Europe’s “hidden gem.”

Lev Raphael is the author of the memoir/travelogue My Germany and 24 other books in many genres. He speaks French, German, and some Dutch. You can study creative writing with him online at writewithoutborders.com.

My First Trip To Canada

I grew up in a wildly multilingual family and Canada’s bilingual nature fascinated as soon as I started learning French in elementary school.  It was just a short flight from New York, but felt as distant and exotic as Belgium where my parents had lived for awhile.

I eventually became my high school’s star French student, thanks to tutoring from my mother whose French was perfect. Even the subjunctive somehow sunk in. I received a certificate of achievement from the Alliance Française in New York, so a trip to Montréal seemed ideal after I graduated high school and was feeling almost bilingual (unlike my older brother whose French was not very good).

He put me in charge of hotels and I picked one on Place Jacques Cartier which was then somewhat ramshackle and noisy, but exciting for a student like me. Just being able to use French outside of a classroom–and be understood–was thrilling. I’d been studying it for eight years but in a hot house—now it was alive, transactional.

Getting into the country was unexpectedly dicey. It was 1971 and both of us looked like hippies. Clean hippies, but hippies just the same. And I didn’t realize that joking with Passport Control was not a good idea. When I was asked by a suspicious agent if I had any money with me, I emptied my wallet onto the table and made some remark like “Ai-je assez?” (Do I have enough?)

My brother claims that we were taken aside for an hour and interrogated. I have no memory of that. What I do remember was the superb food everywhere we went in Vieux Montréal and the wonderful feeling of being a different person when I was speaking and thinking in another language. Oh, and how difficult it was walking in stalked heels on cobblestones (it was the early 70s, remember?). I

I knew then that I’d be back—and in more suitable shoes.

Lev Raphael is the author of twenty-five books in genres from mystery to memoir, He is an assistant professor in the English Department at Michigan State University and also teaches creative writing on line at http://www.writewithoutborders.com

Oh, Canada: Love Letter From a Neighbor

Canada was just a short plane ride away when I grew up in New York City, and its bilingualism fascinated me as soon as I started learning French in elementary school.  I eventually became my high school’s star French student, thanks to tutoring from my mother whose French was excellent. I received a certificate of achievement from the Alliance Française in New York, so a trip to Montréal seemed ideal after I graduated high school and was feeling almost bilingual.

My brother, who didn’t speak French, put me in charge of hotels and I picked one on Place Jacques Cartier which was then somewhat ramshackle and noisy, but exciting for a student like me. Just being able to use French outside of a classroom–and be understood–was thrilling. I’d been studying it for eight years but now it was alive, transactional.


Getting into the country was unexpectedly dicey, though. It was 1971 and both of us looked like hippies. Clean hippies, but hippies nonetheless. And I didn’t realize that joking with Passport Control was not a good idea. When I was asked if I had any money with me, I emptied my wallet onto the table and made some smart-ass remark like “Ai-je assez?” (Do I have enough?)

My brother claims that we were taken aside for an hour and interrogated. I have no memory of that. What I do remember was the superb food everywhere we went in Vieux Montréal and elsewhere that week and the wonderful feeling of being a different person when I was speaking and thinking in another language.

But my next trips to Canada involved a different language: Shakespeare’s English. Living in Michigan, I visited the Stratford Festival in Ontario twice as a graduate student, and later, my spouse and I became Festival members.

Though I’d seen some wonderful shows in New York, nothing beat watching Christopher Plummer as Lear in front row center seats or Martha Henry in Long Day’s Journey into Night, a play I’d seen and studied extensively in college. Her silence was more evocative and devastating than many actors’ monologues. The play left us so stunned we couldn’t vacate our seats for a good ten minutes afterwards–and we went back to see it again that summer, just as we saw other plays twice when they were terrific.

Stratford was a revelation: not just a charming, scenic town, but a place where you could run into the cast members anywhere and they were happy to chat.

And then there were several trips to Montréal and Toronto each, a week in Vancouver, a handful of celebrations we had at the Langdon Hall Country House and Spa, trips to Québec City by ourselves and with one son and his wife, and my own professional visits as an author to Windsor. I know I have a lot more to explore in Canada and luckily there’s plenty of time for more great food, wonderful people, and memorable sites.

Lev Raphael is the author of twenty-five books in genres from mystery to memoir including Writer’s Block is Bunk.

Is Ghent a Better Travel Destination than Bruges?

Bruges and Ghent were never on my radar until my first trip to Paris when I came across a travel magazine with a big section on Bruges and the amazing canals had me spellbound. I didn’t get there as soon as I hoped (author book tours in Germany sidetracked me), but when I did, it outshone my fantasies. My timing made it possible to see the famous Holy Blood Procession that had been going on there since medieval times.

In Bruges, my wonderful B&B host and I discussed other cities in Flanders and she dismissed Ghent as not up to the standard of Bruges. She thought that it was worth—at the very most—a day trip. That was also apparently what her other guests told her after visiting Ghent.

Having  spent a week there myself, I don’t agree. Bruges is magnificent, thanks to its death in the 14th century as a port city and to being relatively untouched by war through the centuries. The core of the city is beautifully preserved, and the further you get from the crowds, the more tranquil you find it. But it’s definitely “preserved” and in many ways feels like a giant museum.

Ghent on the other hand is a very dynamic city. It has its fair share of canals and gorgeous buildings, as well as ancient churches and beautiful art. Bruges has the Michelangelo Madonna and Child, Ghent has the Van Eyck altarpiece. I think it’s a draw there, and the same goes for the food. I ate just as well in each city, savoring Flemish/Belgian specialties like waterzooi, carbonnade, vol-au-vent, moules-frites, stoemp, and of course made only a tiny dent in the amazing variety of amazing beers (there are apparently over 1,000).

Where Ghent outweighs Bruges for me is the fact that it’s a university town that’s friendly, entertaining, and alive. Ghentians call their home “The City of Trust and Love” and I found that attitude in people of all ages.

There’s a reason Belgian novelist Georges Rodenbach wrote a book called Bruges-la-Morte (Dead Bruges). Bruges might be more picturesque, but Ghent is livelier and, perhaps best of all, attracts fewer tourists. Not surprisingly, it’s widely called one of Europe’s hidden gems.

Lev Raphael is the author of two dozen books in genres from memoir to mystery, and is currently working on a novel set in Ghent.