{"id":6736,"date":"2022-08-16T14:11:12","date_gmt":"2022-08-16T18:11:12","guid":{"rendered":"https:\/\/www.levraphael.com\/blog\/?p=6736"},"modified":"2023-09-06T13:22:44","modified_gmt":"2023-09-06T17:22:44","slug":"police-procedural","status":"publish","type":"post","link":"https:\/\/www.levraphael.com\/blog\/police-procedural\/","title":{"rendered":"Dark Objects is a Solid Police Procedural"},"content":{"rendered":"\r\n<p class=\"wp-block-paragraph\"><a href=\"https:\/\/www.levraphael.com\/blog\/wp-content\/uploads\/2022\/08\/81d55mEnTxL.jpg\"><img loading=\"lazy\" decoding=\"async\" class=\"alignnone size-medium wp-image-6767\" src=\"https:\/\/www.levraphael.com\/blog\/wp-content\/uploads\/2022\/08\/81d55mEnTxL-198x300.jpg\" alt=\"\" width=\"198\" height=\"300\" srcset=\"https:\/\/www.levraphael.com\/blog\/wp-content\/uploads\/2022\/08\/81d55mEnTxL-198x300.jpg 198w, https:\/\/www.levraphael.com\/blog\/wp-content\/uploads\/2022\/08\/81d55mEnTxL-675x1024.jpg 675w, https:\/\/www.levraphael.com\/blog\/wp-content\/uploads\/2022\/08\/81d55mEnTxL-768x1164.jpg 768w, https:\/\/www.levraphael.com\/blog\/wp-content\/uploads\/2022\/08\/81d55mEnTxL-1013x1536.jpg 1013w, https:\/\/www.levraphael.com\/blog\/wp-content\/uploads\/2022\/08\/81d55mEnTxL-1351x2048.jpg 1351w, https:\/\/www.levraphael.com\/blog\/wp-content\/uploads\/2022\/08\/81d55mEnTxL.jpg 1600w\" sizes=\"auto, (max-width: 198px) 100vw, 198px\" \/><\/a><\/p>\r\n<p>Soon after a body is found at a bizarre and brutal murder scene in London, we discover what the title of this police procedural refers to.\u00a0 The dark objects are the &#8220;overturned and sometimes overlooked&#8221; things at a murder that may explain what happened.<\/p>\r\n<p>However, one of the objects laid out in ritual fashion near the victim is anything but overlooked.\u00a0 In fact, it&#8217;s a blaring message.\u00a0 This object is a book about how to &#8220;read&#8221; murder scenes, written by Laughton Rees, the police commissioner&#8217;s long-estranged daughter.\u00a0 Rees is a criminologist with &#8220;almost preternatural abilities to observe, process, and recall information.&#8221; In her university lectures, she only uses cold cases or solved cases, but she&#8217;s pulled into investigating this murder case at an ultra-chic, multi-million-pound home because of that book.<\/p>\r\n<p>The discovery of her book opens up a whirlpool of grief and misery because years ago, her father led a high-profile investigation whose suspect ended up killing her mother.\u00a0 <em>And she saw it happen.<\/em>\u00a0 Rees blames her father, rejected all his offers of connection and has become obsessive compulsive to cope with her trauma.\u00a0 She&#8217;s a deeply sympathetic character because it seems that her dark past &#8220;always catches up with her and swallows her whole, no matter how fast or how fast or how far she runs from it.&#8221;<\/p>\r\n<p>Rees&#8217;s &#8220;partner&#8221; in the investigation is the resonantly-named inspector Tannahill Khan, but he&#8217;s not nearly as interesting as her or the sleazy reporter, Brian Slade, who will do anything to get a story with long legs into the tabloid he writes for.<\/p>\r\n<p>The book&#8217;s strength is the detailed and fascinating police work and the focus on Rees&#8217;s suffering and attempts to stay stable, though a few things get in the way, including the slow pace.<\/p>\r\n<p>It seems obligatory these days that any major figure in a mystery or TV crime series is the parent of a troubled teenager and <em>Dark Objects<\/em> checks off that box in spades.\u00a0<\/p>\r\n<p>The writing could also have been more polished to avoid various kinds of repetition and lines like this one: &#8220;Tannahill watches, his brain trying to catch up with what just happened.&#8221; Then there&#8217;s the awkward and unattractive mix of fonts and spacing at various points.\u00a0 <br \/><br \/>None of that truly damages the book and the fault lies with the editing and design, not the author.\u00a0 A bigger issue is the trick ending with a wildly unbelievable confession.\u00a0<\/p>\r\n<p>All the same, filled with biting social commentary, <em>Dark Objects<\/em> has enough for police procedural fans to enjoy on a few hot summer nights.<\/p>\r\n<p style=\"text-align: center;\"><strong>Lev Raphael was the long-time crime fiction reviewer for <\/strong><strong>The Detroit Free Press and is the author of ten crime novels.<\/strong><\/p>\r\n","protected":false},"excerpt":{"rendered":"<p>Soon after a body is found at a bizarre and brutal murder scene in London, we discover what the title of this police procedural refers to.\u00a0 The dark objects are the &#8220;overturned and sometimes overlooked&#8221; things at a murder that may explain what happened. However, one of the objects laid out in ritual fashion near &#8230; <a title=\"Dark Objects is a Solid Police Procedural\" class=\"read-more\" href=\"https:\/\/www.levraphael.com\/blog\/police-procedural\/\" aria-label=\"Read more about Dark Objects is a Solid Police Procedural\">Read more<\/a><\/p>\n","protected":false},"author":2,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[877],"tags":[2553,1600,1938,2555,2554,2556,2491,2549,2547,837,397,2552,2551,2550,2548,976],"class_list":["post-6736","post","type-post","status-publish","format-standard","hentry","category-book-review","tag-british-crime-novel","tag-crime","tag-crime-novel","tag-criminologist","tag-criminology","tag-dark-objects","tag-forensic-thriller","tag-highgate","tag-knife-crime","tag-london","tag-mystery","tag-mystery-thriller","tag-police-procedural","tag-stabbings","tag-street-crime","tag-thriller"],"_links":{"self":[{"href":"https:\/\/www.levraphael.com\/blog\/wp-json\/wp\/v2\/posts\/6736","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.levraphael.com\/blog\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.levraphael.com\/blog\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.levraphael.com\/blog\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/www.levraphael.com\/blog\/wp-json\/wp\/v2\/comments?post=6736"}],"version-history":[{"count":26,"href":"https:\/\/www.levraphael.com\/blog\/wp-json\/wp\/v2\/posts\/6736\/revisions"}],"predecessor-version":[{"id":7792,"href":"https:\/\/www.levraphael.com\/blog\/wp-json\/wp\/v2\/posts\/6736\/revisions\/7792"}],"wp:attachment":[{"href":"https:\/\/www.levraphael.com\/blog\/wp-json\/wp\/v2\/media?parent=6736"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.levraphael.com\/blog\/wp-json\/wp\/v2\/categories?post=6736"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.levraphael.com\/blog\/wp-json\/wp\/v2\/tags?post=6736"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}