A New Kind of War

Manipulated into declaring war on Prussia in 1870, ailing and criminally indecisive Napoleon III of France was quickly defeated and captured on the battlefield in a disastrous few months that led to the final unification of northern and southern Germany and the creation of Imperial Germany.

The author tells this familiar story with verve, relying on diaries and letters from ordinary soldiers to military commanders and royalty.  Enthusiasm was high on both sides but the Germans clearly outdid the French military in well-defined battle plans and overall strategy. Just as important, their leaders were in good health while Napoleon III was ill, uncertain, and issued last-minute changes that were confusing.

The French lines of communication were murky and French retreats were mostly chaotic while German advances were far better organized.  The French had better rifles and an early version of the machine gun, but the German armies had bigger and deadlier cannons.  Both sides used railroads to move troops and supplies, but the Prussian did so far more efficiently and their generals had recent experience fighting the Danes and the Austrians.

Though the term “shell shock” wasn’t invented yet, it’s clear that troops on both sides were traumatized by the piled-up bodies of dead and wounded in numbers that had never been seen before. Likewise, no city had ever been shelled so constantly and repeatedly as Strasbourg which at one point was hit every twenty seconds by powerful explosives, and the emotional toll on its citizens was severe.  And the random shelling of Paris seems a presage of the war in Ukraine.

There are many fascinating pages on the varied reactions around France to Napoleon III’s surrender and the fate of his mammoth army. And the tales of extortion and atrocities committed by troops from various German states in response to the slightest resistance are shocking.  The author has an eye for surprising details, like the fact that there was water under the Paris Opera, discovered after drilling through the foundation, and the author claim helped inspire The Phantom of the Opera novel by Gaston Leroux.

As engaging as it is, the book could have been more reader-friendly.  Maps are gathered at the front so you need to keep paging back to refer to them when following the specific movements of troops in battle–or trying to follow them.  None of the maps show the placement and progress of actual armies as you’d expect from a book so keenly focused on a war.

The chapter on the Prussian sieges of Metz and Strasbourg badly needed plans of the complex fortifications.  Just as frustrating, the book lacks a map of the French départments.  You have to go to Google to figure out where there is partisan activity, for instance, when the Germans besiege Paris.  Likewise when the author talks about where people flee to avoid the German and where exactly German atrocities take place.  There are many handsome period illustrations, but their labels are at the back of the book, so if you don’t want to interrupt your reading, you have to guess what they refer to.

Nevertheless, this is a thorough and illuminating study of  a war that created a gigantic pivot in world history.  ★★★

Lev Raphael is the author of 27 books in genres from memoir to mystery and his reviews have appeared in The Detroit Free Press, The Washington post, The Huffington Post and Salon.

 

Hitler: Ascent 1889-1939

At a time when democracy is faltering around the world, this brilliant book makes salutary and scary reading.

The author’s aim in the first of two volumes is to strip away myths from Hitler and see him as the individual he was, not just a giant of megalomania and crazed antisemitism. He was petty, vicious, paranoid, deft at spotting anyone’s weaknesses and exploiting them, cruel, socially awkward and proudly uncomfortable with his social betters.  The pages describing his rage dealing with the King of Italy and the royal court on a state visit are truly hilarious and bizarre.  Likewise, it is beyond satire to read about his obsession with flower arrangements at meals and how he stupefied dinner guests with his endless speechifying.

Ullrich takes time in his introduction to survey the major biographies of Hitler and demonstrate quite clearly that they all have one way or another failed to see Hitler in the round because of their narrow focus. His focus is global and mesmerizing. The author is especially good at laying out the complex political currents during the Nazi party’s rise to power and exploring the widespread German longing for a savior. The quasi-religious nature of Hitler’s regime and the ways in which he was basically worshiped by millions as a messiah may remind readers of more current leaders who are also brutally larger than life–and yet very small.

Hitler was a chameleon, a talent actor and a brilliant orator, which readers who have only seen snippet of his speeches and don’t know German cannot appreciate.  Ullrich does a superb job of analyzing one crucial speech after another to demonstrate Hitler’s dark brilliance.  And he’s just as deft at eviscerating the army of toadies and sycophants Hitler surrounded himself with.  Here, the recently available diaries of Goebbels serve as stunning evidence of the hero-worship Hitler thrived on.

A passage near the end sums up his dark talents and how they meshed with the time and the damaged nation he would lead to disaster:

“Never stop–that was the law by which the National Socialist movement and its charismatic Fuhrer operated and which gave the process of coming to and consolidating power its irresistible dynamic. After the great foreign policy triumphs of 1938 [which included dismembering Czechoslovakia], Hitler never for a moment considered taking an extended break and being satisfied with what he had achieved, as Bismarck had done after 1871. He constantly needed new victories to compensate for nascent popular dissatisfaction and to bolster his own prestige. As a result, he was willing to take ever greater risks, and his fear that he would die young lent further urgency and impatience to his expansive activism. Hitler both drove events and was driven by them.”  ★★★★★

Lev Raphael is an American pioneer in writing about The Second Generation, the children of Holocaust survivors.  He’s the author of My Germany and 26 other books in many genres.  Special Archives at Michigan State University’s library collects his literary papers.