Brilliant, Scary Satire

As a book reviewer, you can often feel like you’re on a high-speed train missing all the terrific possible stops along your route. People wherever you go mention books that you somehow never got to read read or read about because you’re too damned busy reading and reviewing other books. 

Back when I worked for half a dozen different publications, I remember weeks where I was reviewing three or more books on deadline and either reading or writing with no break whatsoever. Okay, I did eat and go to the john.  And maybe hit the gym, but in my head I was always thinking about the next review–and the one after that–and the one after that.

So I confess I missed the bravos for The Other Black Girl, but I am here to tell you that it is a laugh-out-loud, gorgeously written, and effing brilliant satire of the publishing world–and much more.  I love this powerful novel and I envy the author her style, her humor, her satire, her poise.  She is stone cold amazing. And for those readers who think MFA programs turn out cookie-cutter writers, guess again.  She is an original.

The set-up is great: Nella, whose name recalls the Harlem Renaissance novelist Nella Larsen, is the only Black editorial assistant in the prestigious Wagner publishing house.  A publisher whose mail room staff is all people of color but whose editorial, art, and publicity staff are all uniformly white, many of them quite privileged.  Nella’s little cubicle is a lonely place, and “blacksplaining” cultural realities and events to her White colleagues often works her last nerve. 

She’s not a legacy hire and though her family was comfortable, they weren’t wealthy and that helps isolate her even more–at least in her own mind.  She’s also not happy being stuck at a low pay grade, though she loves the work, most of the time.  Enter Hazel, a much hipper Black editorial assistant with whom she feels she can (and should) bond, but things quickly get weird, competitive, and creepy in the extreme.

The author worked at Knopf for three years so she has an inside track on creating a workplace filled with kooks and quirks, competition, hypocrisy and back stabbing.    Like so many organizations today, Wagner makes feeble attempts to embrace diversity and the author’s wit here as elsewhere is stiletto-sharp.  The satire is never laid on too thick, however, and Nella is a wise, weary hero to admire and root for.

And so you feel you’re deep in a novel about workplace competition, Black solidarity and White cluelessness/condescension–until the book expands way beyond what you might expect when we learn the meaning of the title.  That’s when the book plunges deep into an alternate, hair-raising reality that’s a spoof conspiracy theorizing.  The  register becomes fantasy-horror and it’s a dazzling switch. I was glad that I put everything aside this weekend to read the book straight through.  The Other Black Girl is a knockout debut.

Lev Raphael, author, editor, and teacher, is a prize-winning publishing veteran.  His 27 books span genres from memoir to mystery.

“The Street” is Too Easy to Figure Out

It’s no surprise that Anna and Peter have been moved in The Street from London to a brand-new, upscale, little development in Scotland because they’re in witness protection.  Anna’s experiencing high anxiety, she and Peter are very much at odds, and their new home is too meticulously furnished and equipped.  The street of eight houses itself is on the creepy side: “perfect white cubes with their perfect gardens.”

Tension mounts when Anna starts meeting the neighbors, all of whom live in identical homes whose doorbells play the same annoying tune.  You start to wonder: Are they cult members?  Aliens?  Spies?  Is this some weird kind of prison?  The enclave is gated and there are security cameras, okay, but why does Anna have a very intrusive phone app?

Something is definitely amiss on this street, because no matter who Anna talks to after her boozy first night (more about that below), she experiences “an odd sensation, a shift in the atmosphere that seemed to happen every time she spoke to one of the residents.”

Their next-door neighbors seem like fun, drink a lot, and enjoy Indian food just like Anna and Peter, and the four of them have a hard-drinking, hilarious night before the couple have settled in (or tried to).  But the day after, those neighbors have disappeared and their house is totally empty. Everyone on the street denies they were even there. . .

It’s an intriguing hook if you’re going to be hooked.

As the book progresses, we learn through flashback chapters more about how the couple came to be ripped out of their London lives and planted in Scotland, and why they might be in profound danger.  She’s a writer and he’s a carpenter but each of them is far more complex than they first appear to be, and they have some ugly stuff to hide from the world and each other.

Holliday writes keenly about fear, paranoia, and how married couples can work each other’s last nerve and not have any idea who they’re really married to. She builds tension skillfully and  keeps you actively guessing as to what’s going to happen next. 

All the same, the  book has a gigantic sinkhole of a problem: the explanation for all the strange behavior on Anna’s street was so obvious early on that you may wonder why Anna couldn’t figure it out herself.  After all, she’s a crime novelist.  The time changes throughout the book complicate the storyline, but they don’t camouflage the excruciatingly simple solution that’s apparent before the book truly takes off.  This is a mystery that’s ultimately not mysterious enough. ★★

Lev Raphael is the former crime fiction reviewer at The Detroit Free Press.

“Elite” Is a Hot Spanish Mystery Series on Netflix

The new Netflix original mystery series Elite is set at a posh high school near Madrid where “the leaders of tomorrow” are being trained to take their rightful place and rule the world.  How posh is this school?  It looks like a cross between a contemporary art museum and a tech company’s headquarters.

One of the oldest plots in the world is the entrance of somebody new into a closed community.  Here it’s made fresh via three lower-class students who’ve been given a year’s tuition in a PR move, because their old school’s roof collapsed thanks to shoddy construction.  The builder involved is determined to salvage his reputation and he’s behind placing these students at the same school his son and daughter attend.  He’s corrupt, of course, and his scheming sweeps up lots of innocent people over the course of eight episodes.

To make the situation even dicier, one of the new students is a Muslim teen who wears the hijab–until she’s ordered to take it off or be expelled. She hides this from her parents, but like all the secrets in Elite, it’s unexpectedly revealed. Bigotry and religious conflict are recurring themes in the series, tightly woven together with the much more intense simmering class conflict that leads to violence.

Elite isn’t just another teen drama fielding a good-looking cast, it’s a crime show whose structure is reminiscent of How To Get Away With Murder and Inside Man.  We find out right off that someone’s been killed and the murderer isn’t revealed until the last episode.  All the kids are quizzed by the police in tight close-ups about what happened leading up to the murder and about their tangled relationships. These kids are very mature, with adult passions, obsessions, and anxieties–all of which makes the arguments with their parents even more compelling and the series compelling and unique.

Lev Raphael is the author of the Nick Hoffman mysteries and many other books in a wide range of genres.  He teaches creative writing online at writewithoutborders.com