The Regency Jason Bourne is Back

 

C.S. Harris is a fantastic novelist. Her characters are richly observed, her dialogue is evocative, her plots are exceedingly well wrought, and she excels at atmosphere: you see, feel, and smell every scene in a kind of 3-D. Reading one of her books is immersive, it’s time travel, it’s magic.

Harris’s understanding of the Regency era is remarkable for its depth and range, and she is one of the few authors whose series I’ve stuck with over time because she isn’t disappointing.

Her glamorous, debonair nobleman is Sebastian St. Cyr, Viscount Devlin. He is gifted with “hearing and night vision” that are “unusually acute” and they help him investigate murders–and sometimes outwit stalkers. He’s also a master of disguise, but he’s no Marvel superhero. In fact, Devlin starts off the 18th book of the series with a profound and troubling disadvantage: a painful leg injury that’s likely to keep this ex-soldier from crossing the Channel to Belgium where “the armies of Europe were massing for what would in all likelihood be one of the most decisive battles in history.” 

He badly wants to join former comrades, but that isn’t on the cards, despite the looming menace abroad. Napoleon has escaped Elba and been welcomed back to power in France with jubilation. The exiled emperor’s shadow has fallen again over Europe–and it has surprising power over Devlin as he becomes entangled in a twisted tale of mutilated corpses, espionage, secrets of seduction and betrayal, witchcraft and werewolves. 

Suspects abound and they could well be French assassins from any number of rival factions.  He himself is attacked and warned off in classic PI style by a huge thug and an oily villain.  As you’d expect, he acquits himself well; even with his injury, St. Cyr is not an easy mark.

One of the best aspects of this series is its social range. Between St. Cyr and his amateur journalist wife Hero, we meet people of all ranks in Regency England: actors, fortune tellers, politicians, aristocrats, thieves, men of the law, servants, governesses, thugs, inn keepers, soldiers, beggars, ferrymen, sailors, merchants, tradesman, vagabonds and many more.  We travel through a London that has disappeared like Atlantis, with Harris as our guide. 

Built with short, punchy chapters, this book has it all: mystery, scenery, adultery, luxury, poverty, cruelty, zealotry,  hypocrisy, bravery.  And the series consistently has some of the most beautiful book covers around.

Lev Raphael is the former crime fiction reviewer for The Detroit Free Press and has reviewed books at Salon, The Washington Post, Huffington Post and other publications.

 

 

This Flemish Thriller Will Keep You Guessing

Because I’ve had wonderful trips to Flanders in the past few years,I’ve been developing an interest in Flemish crime fiction. I recently discovered and reviewed Styx, a fantastic crime novel by Bavo Dhooge (pronounced Bah-voh Dough-hey). That book led me to another Flemish thriller, Baudelaire’s Revenge by Bob Van Laerhoven. Scandinavian crime writers currently dominate the discussion of European crime writing, but based on just these two marvels, maybe their Flemish cousins are on the way up….

Van Laerhoven’s written a colorful, complex, atmospheric, darkly sensual crime thriller set in a fascinating period.

The book’s events take place primarily during a national catastrophe: the Franco-Prussian war, which is about to devastate Paris. “With the trumpets of war blaring in the background and [Napoleon III] delivering pompous declarations about the grandeur of France, all sorts of things were apparently permissible.” The city has been frantic with real estate speculation, sexual and political corruption, séances, Satanism, and spiritualism. Opium and nude women dancing with snakes in nightclubs are just some of the escapist delights available for the cognoscenti.

A literate ex-army police commissioner who’s a combination of “hermit and whoremonger” is handed a bizarre case. The ghost of poet Charles Baudelaire might be committing grotesque murders—as revenge for his mistreatment while he was alive. It’s a terrific opening conceit. I mean, what author hasn’t imagined savaging his or her critics—more power to you if you can do it from the Beyond. But the criminality has a more improbable source, if you can believe it, and the novel turns on dark, nasty, sublimely twisted secrets—as well it should. This is a book where poetry and perversity reign, with a deft nod to Edgar Allen Poe.

The police commissioner is aptly, ironically named: Lefèvre (the fever), and the author has fun with other character names. Lefèvre has previously gone up against many insane killers, has a “bloodhound reputation,” bears “the scars of pitiless duels,” and is obsessed with sex and death. He’s not the only feverish character in the book: le tout Paris seems on the verge of hysteria, a breakdown, or revolution. And over everything, the increasingly gruesome murders drift like the foul miasma of a sewer….

Baudelaire wrote that travel teaches bitter lessons (amer savoir, celui qu’on tire de voyage), but for fans of international crime fiction, travel via thrillers only broadens our horizons. And as Laerhoven’s poetry-quoting, lust-driven inspector says, “murder sensitizes people to the mysteries that lurk behind everyday life.”

Lev Raphael is the author of 25 books in many genres, including the guide for writers, Writer’s Block is Bunk.  You can take creative writing workshops with him online at writewithoutborders.com.“Studying creative writing with Lev Raphael was like seeing Blade Runner for the first time: simply incredible.”—Kyle Roberts, MSU Class of 2016