Why Are People Surprised Cops Injured A Peaceful 75-Year-Old Protestor?

The recent video of a Buffalo senior citizen being shoved to the ground by cops went viral and was one more example of the ways in which police departments around the country have turned into small armies. 

Back in the Obama administration, official Washington was having second thoughts about the giant giveaway of military grade equipment to local police forces. But it was already too late to reverse a decade of bad policy and bad thinking because too many American cops were thinking of citizens as “The Enemy.”

And it wasn’t just Black citizens–though they’ve been assaulted and killed in disproportionately high numbers. It was and is all citizens.

A sea change was taking place that was invisible to most Americans. Across the country, in big cities and small towns, police forces gradually turned into armies. It took the events in Ferguson to blow things wide open. Senators like Claire McKaskill started to speak out, too late, about the results of a misguided policy: “The whole country and every representative and senator have seen the visuals, and at some level, it made all of us uncomfortable.” Note her shocking understatement and the typical D.C. focus on “optics.”

Those optics have only gotten more horrifying.

The technical term for the change  is “militarization.” Well before 9/11, the Pentagon was lavishing cops in every state with military equipment, but that’s escalated since 2006 as the Pentagon has unloaded surplus assault rifles; armored vehicles; planes and helicopters. The total dollar amount has now reached into the billions since that terror attack has made everyone think they’re the next target, no matter how improbable it might seem.

Even tiny towns want armored personnel carriers. And they use them. For things like serving warrants and drug raids. That’s right. For ordinary police work that used to done without military hardware.

Assault with a Deadly Lie: A Nick Hoffman Novel of Suspense (Nick Hoffman Mysteries Book 8) by [Lev Raphael]
50,000 SWAT team raids take place in this country every year. The U.S. is now a war zone and our police have morphed into soldiers. They raid at night for maximum shock and awe, break down doors, use flash bang grenades, shoot people’s dogs, wreck homes, and commit violence on innocent citizens. They often raid the wrong house because their information is out of date. Sometimes they even kill unarmed citizens. And they haven’t really been accountable to anyone, despite the string of news stories that have been appearing on local TV stations and in local and national newspapers for years.

I started reading about these epidemic SWAT raids a decade ago and was shocked to learn that police forces were recruiting ex-military and radically shifting their consciousness and their perceived mission. Forget serving the public. The public is the enemy, at least potentially, and the enemy has to be crushed. As more ex-soldiers have entered the police force and more cops have been trained by the military, the danger has increased to the general public everywhere.  

And you know this is a searing problem when organizations as different as the ACLU and The Heritage Foundation agree that America’s police are out of control.

That’s one reason I wrote Assault With a Deadly Lie, a novel of suspense that explores the crushing effects of police brutality on innocent people. Because nowadays, none of us are really innocent when cops are on the scene. We’re all criminals, no matter who we are or where we live. As the defense lawyer in my book says, after 9/11, “You think you have rights and freedoms, but everything is contingent now.”

Lev Raphael is the author of twenty-six books in a dozen different genres, from memoir to mystery.

Why I Stopped Reading Karin Slaughter’s New Thriller

I’ve been reading and reviewing crime fiction for years but haven’t opened a Slaughter book in awhile.  I remember the last one I read had too much “femjep”–a term mystery writers and readers use to describe the author putting a woman in ridiculously threatening situations.

Still, I was drawn into her new book Pieces of Her because the opening scene was reminiscent of one in Joseph Finder’s terrific High Crimes (though not as well done). Andy is a self-pitying young woman who’s failed to make it in New York after five years and she’s gone home to Atlanta.  She’s having a mall meal with her tough-but-loving mother when crazy violence erupts, her mother acts way out of character, and the daughter has to flee.

The shocking disruption intrigued me despite very confusing choreography, but the daughter’s reactions were annoyingly slow.  She’s the kind of character in a movie you keep yelling at: “Don’t open that door!” or “Turn on the lights!” or “Run outside, not upstairs!”  And in fact, her mother plays just that role, because Andy is too feckless to get her ass in gear despite her mother’s urgent commands.

But the whole I-just-saw-my-mother-do-crazy-shit motif really hooked me, even though the writing in the book can feel surprisingly amateurish. Here are some gems:

Her brain felt like it was being squished onto the point of a juice grinder.

The last few days had been like tiptoeing around the sharp end of a needle.

Andy’s head was reeling as she tried to process it in her mind’s eye.

Suddenly all of Andy’s nerves went collectively insane.

The editor in me started noting problems that went beyond Slaughter’s prose, mistakes that the author shouldn’t have made, mistakes a copy editor should have caught.  Both could have found the answers on Google, used wisely.

Churchill experts, for instance, will tell you that Churchill never said “Those who fail to learn from history are doomed to repeat it.”  George Santayana, however, did say “Those who cannot remember the past are condemned to repeat it.”  And Samuel Beckett is not best known as the author of “Irish avant-garde poetry” but as a playwright (Waiting for Godot) and a novelist.

Goofs like those in any kind of fiction throw me out of the story as much as iffy phrasing.  I start wondering how careful the author was in gathering her facts, and what other mistakes might lie ahead.  Here, the hot mess of errors and odd images almost kept me reading out of morbid curiosity–but the story got so convoluted and  repetitious that I finally gave up midway.

Lev Raphael is the author of twenty-five books in genres from memoir to mystery.  His latest book is the suspense novel Assault With a Deadly Lie.  He teaches creative writing online at writewithoutborders.com.