England’s Medieval Game of Thrones

While history buffs are likely very familiar with the Norman invasion of England in 1066, they might not know as much about the preceding half century and this epic book fills that gap.

It was a time of violence almost beyond belief, though it might remind readers of early 1900s pogroms in Russia and October 7th in Israel. Raiding Vikings from various countries as far away as what became Poland weren’t satisfied with just burning Anglo-Saxon towns and cities to ash–even if they’d received gold and silver as ransom. They raped women and cut off their breasts, threw victims into fires to burn alive, speared babies to death or smashed their skulls, and hanged men by their privates when they weren’t beaten, clubbed, or hacked to death.  The survivors often became slaves.

Strife seemed almost constant, with Anglo-Saxon and Viking armies “marching back and forth and up and down the length of England for years, each time inflicting punishment on whatever unlucky locals got in their way, for not having sufficiently resisted the previous conquerors.”  And as if that wasn’t bad, in Normandy, nobles were known to “tear each other to shreds and destroy themselves, for they lust after rebellion, love sedition, and indulge willingly in treachery.”

In both countries, alliances between factions and families could shift with stunning speed, oaths were followed by betrayals that were followed by promises of fealty, exiles and returns were as common as brothers having their own brothers murdered and treasuries raided. Feuds simmer and erupted and died down again, only to savage a new generation.

In these sometimes hellish landscapes, castles were besieged and destroyed and rebuilt, farms were burned, cattle slaughtered, and danger and death were omnipresent–and likewise disease, since the Anglo-Saxons had no understanding of hygiene. They used water riddled with garbage, human waste, and animal corpses. “Random death was so common in England that the Anglo-Saxons had a word for it, aelfscot, ‘elf shot,’ struck down by an invisible, otherworldly arrow.”

And among the various kings, lords, and chieftains on both sides of the English Channel (or “The Southern Sea”) there were plots, coups, murders, betrayals, assassinations and enough violence to make the series Vikings look like something from the Disney Channel.

Parallel to all this madness and dislocation was the quiet, steady, painstaking work of monks copying manuscripts in scriptoriums, work that was encouraged by Alfred the Great to save such treasures for posterity. That very human impulse to save learning and wisdom is both touching and fragile, because raiders had no use for books and loved burning them.

There’s what seems like a cast of thousands here and the names like Aelgifu are hard to scan, but the author does a decent job of individualizing people and separating legend from fact, as well a immersing you in a period that is at times both familiar and utterly alien. Hollway is especially good at charting the changing names of places from Latin to Danish to Old English and Modern English, helpfully explaining the roots of those names. All the same, the fusillade of names can sometimes be exhausting, especially when someone has two or more different names. And there’s way too much speculation about what people might have done or said or felt. 

Beyond that, this book that has two main faults, both of them inexplicable: there are no maps and no genealogies whatsoever, so it’s hard to picture where cities, counties, and countries are located when they’re mentioned, and hard to remember who’s related to whom–and how.  ★★★

Lev Raphael has reviewed books for The Washington Post, The Detroit Free Press and other news outlets as well as for several NPR radio stations, one of which hosted his interview show with guests like Salman Rushdie and Erica Jong.

 

What’s Better Than Re-reading a Book You Love?

My answer: Teaching it!

I had been a fan of historical fiction for a long time and when I discovered Bernard Cornwell’s Saxon Tales, I was in heaven.  The return of The Last Kingdom to Netflix reminds me how wonderful it was to assign that book for a class reading popular fiction in a wide variety of genres.

The hero is Uhtred, a dispossessed young noble from northern England in the 9th century, during the reign of King Alfred. Uhtred is descended from kings but his rightful claim to an impregnable fortress where he grew up has been usurped by his uncle, and Uhtred is burning with the desire for revenge.  It’s what obsesses him through the entire series.

Alfred was known for his piety, his strategy, his culture, and his determination to drive the Danes from his realm of Wessex in southern England and the other kingdoms England was then divided into. Glamorous, hot-tempered, man-of-action Uhtred has a complex relationship with this intellectual, pious king whom he ends up being bound to in life-changing ways.  Breaking an oath of allegiance in this period was more than dishonorable–it could brand you for life as untrustworthy and shameful.

“The world began in chaos and it will end in chaos.  The gods brought the world into existence, and they will end it when they fight among themselves, but in between the chaos of the world’s birth and the chaos of the world’s death is order, and order is made by oaths, and oaths bind us like the buckles of a harness.”

Uhtred has grown up with a split identity: raised English, he was captured by Danes as a child and identifies as a Dane, which makes for tremendous conflict, both internal and external. He’s a part of both cultures, both peoples, and lives out his cultural conflict almost daily with most of the people he meets.

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Teaching the first book in the series, I had students talking about expectations and conventions in historical fiction, which many of them hadn’t read before.  We moved on to discussions of Cornwell’s use of sense detail, his honest depiction of violence, the role of women in both Saxon and Danish societies as he portrayed it, the impact of the story being told by a first person narrator.   Many of them were put off at first by the alien cultures but soon found themselves compelled by the story telling.  I fell in love with the book all over again during the two weeks we spent discussing it with my students.  It felt new, fresh, and exciting.

TV reviewers are telling readers that this show is a good stand-in for The Game of Thrones.  Maybe.  The books couldn’t be more different.  Martin is a genius at world building on an epic scale, but Cornwell’s books are tighter, move faster, and with rare exceptions stick with the same point of view so that you’re immersed in just one character.

The Last Kingdom is a brilliant mix of deep psychology and high adventure.  It’s hooked me all over again and I’ve started re-reading book two in the series….

Question: what book have you been re-reading lately?

Lev Raphael is the author of 25 books in many genres and teaches creative writing workshops at writewithoutborders.com