“Zero Fail” Tells Some Great Stories, But–

Carol Leonnig has done a good job tracing the roots and the routes of the Secret Service in what’s unfortunately an overly long and very choppy book. 

On the plus side, it’s fascinating to learn that the Secret Service was formed in 1865 in the Treasury Department as a group fighting massive counterfeiting.  It’s also intriguing to see how different presidents and First Ladies over time have placed unique demands and restrictions on the agents protecting them–or treated them in special ways.  Who can forget Barbara Bush giving agents leftovers from White House events or LBJ speaking to his agents while he was on the toilet?  How many of us knew that the Secret Service was so tradition-bound and arrogant that it interfered with their mission to protect the president?

That being said, the book is slow, gossip-filled, and profoundly repetitious as the author explains terms and events way too many times, sometimes even repeating information a few pages apart or less.  The sloppiness is matched by the apparent political bias. Republican presidents (and their wives) seem to get more favorable reporting than the Democratic ones, especially when it comes to the Clintons.  Did Leonnig really need to devote 20+ pages to Monica Lewinsky?  And why is Betty Ford absent and Carter’s presidency barely covered?

Then there’s the way Leonnig shades certain events.  She notes, for example, that when Obama beat Romney he got “slightly more than 51% of the vote” without mentioning the impressive Electoral College vote of 332 to 206.  Or that Obama won 5,000,000 more votes than his opponent.

The drumbeat through this book is bureaucratic infighting, trouble, shocking surprises, scandal, and dramatic, overdue change. The Secret Service is time and time again forced to improve security around the president when there’s an assassination attempt or terror attack. It seems to have been oddly reactive, not very forward-thinking, and often inept in trying to get increased funding from Congress. 

Just as problematic, its leaders worked hard to keep outrageous sexual scandals and problems with racism and sexism under wraps, sometimes lying to Congress.  Chapters where Leonnig describes massive failures by the Security Service and seething intra-agency rivalries have plenty of power and read as if they’re material for a miniseries.

The author has won several Pulitzer Prizes for her reporting in the Washington Post, so perhaps her publisher didn’t think editing and copy editing really mattered: the assumption was that the book would sell no matter how badly it was produced.  That’s too bad, because this could have been a gripping narrative, but at almost 500 pages it feels ponderous and overstuffed. 

As it stands, Zero Fail is undercut by constant repetition, like noting who someone works for twice in two pages, and by annoying descriptions of people that don’t match up: one Secret Service director is six feet four and then six feet three a few pages on.  When an author is that careless about a minor detail, can you really trust her on major ones?

Lev Raphael has reviewed for The Washington Post, The Detroit Free Press, The Huffington Post and other publications and several public radio stations in Michigan.  He’s the author of 27 book in many genres, one of which has sold 300,000 copies, and has seen his work appear in fifteen languages.

Writer’s View: Washington Post Reviewer Puts Readers In Boxes

Michael Dirda at The Washington Post has your life in books all figured out.  He recently explained that whether you read fiction or re-read fiction is completely dependent on your age.

When you’re young, you love re-reading books or having the same books read to you. Later on you read series and then engage in competitive reading. In college required reading that takes up your time, and once you graduate and box up those books, you only read best sellers.

Finally, as a senior, you have no interest in new books, so you re-read old favorites.  Why?  Get ready for some cheesy prose:

Seen it all. Been there, done that. It’s then that people nearly always do return to the books they loved when young, hoping for a breath of springtime as the autumn winds blow.

Did you hear some melancholy violin music playing in the background?  I know I did.

There are no studies quoted in his musings, no statistics, just the writer making gross generalizations based on his idiosyncratic experience.

I’ll share my own experience as a reader and longtime reviewer for newspapers, radio stations, and online magazines.  See how it matches yours.

I’ve been re-reading books ever since elementary school.  It started with The Three Musketeers and I, Robot.  Then it moved on to various books by Henry James whom I discovered in junior high school and truly fell in love with in college along with Edith Wharton, D.H. Lawrence, Virginia Woolf, Jane Austen, and George Eliot.  I’ve revisited all of them periodically over the years.  I didn’t wait to become an AARP member.

And I never competed with anyone. Reading was always private for me, an escape and a joy.  That’s unlike Dirda, for whom page count conferred “cachet.”  He writes that in “ninth grade, I doggedly worked my way through a two-volume history of English literature mainly to show off.”  Mine is bigger than yours surely had to be more interesting than that.

But I guess not.  Imagine having that kind of sterile competition to deal with along with all the other problems of mid-adolescence like acne, gossip, and embarrassing parents.  And what kind of brain-dead school did he go to that encouraged such a twisted view of reading?

While I had plenty of required reading in college as an English major,  I often went beyond those reading lists to read widely, especially books in translation by Russian and French authors: Turgenev, Gogol, Balzac, Zola. If that meant not finishing a required book in time for a class, my own choices usually won out.  But if we were assigned a novel by Henry Fielding, I wandered off and read several other books of his to get a better feel for his literary universe.

My detours were always fun. Assigned to read Samuel Richardson’s Pamela, I felt obliged to read Fielding’s hilarious parody Shamela.  The first book is all about a good servant girl beset by a lascivious lord and the triumph of virtue; the second is all about that servant girl conning the same lord into marriage.  Why isn’t Downtown Abbey’s Julian Fellowes sinking his teeth into that nasty little masterpiece?

As for being a slave to the best seller list, I feel sorry for Dirda if that’s how he lived his post-college years.  I haunted bookstores back in the day and usually looked at what was new and hot, but sales and publicity didn’t matter to me.  What counted was whether the subject or the writing grabbed me. Preferably it would be both.  And there’ve been dozens, maybe hundreds of best sellers over the years that friends and reviewers have raved about that have left me cold.  Sometimes nauseous (or nauseated if you prefer).

Starting in the 1990s, I spent many years as a book reviewer in print, on-air and online.  I sometimes re-read a book I was crazy about, like Terrill Lankford’s LA thriller Shooters and Charlie Huston’s vampire PI book Already Dead.

But my full initiation into reading a series has only come in my 50s with books by Bernard Cornwell, Martin Cruz Smith, and C.S. Harris. Nonetheless, I’m still always on the lookout for writers who’ll engage me and take me on a fresh voyage. Writers like the amazing Lori Rader-Day, Janet Fitch, and Penelope Fitzgerald.  The genre can be fiction, but I’m a big fan of biography and history too, as long as the prose is fine and the narrative engaging.

Michael Dirda may have his theory about how readers read, but it’s really just a theory until he can back it up with facts.  Though theory could be too elevated a term.  It’s more like a notion, and a fairly dubious and ageist one, too.

Maybe he’ll explain the use of slow cookers for various age groups next.

Lev Raphael is the author of 26 books in genres from memoir to mystery, most recently State University of Murder.  You can read his latest interview about it here.